[影院好读版]
至成文的今日(12/13),這部片在全球票房慘澹,票房甚至沒有達到成本2600萬美元的一半,而在近期的各大獎項中,其更是只有入圍金球獎最佳電影配樂,
當然爵士樂是非常好聽,但電影本身其實也值得一看,作為艾德華‧諾頓第二部導演作品,這部他自編自導自演自監的作品,充滿了黑色電影該有的韻味以及艾德華諾頓本人的魅力。
布魯克林孤兒原文《Motherless Brooklyn》在電影的台詞裡被提到的時候,其實是被翻成「沒娘養的布魯克林孤兒」但其實翻譯成失去母親的布魯克林或許會更好
Edward Norton’s second directorial sally, 19 years after, KEEPING THE FAITH (2000), his long-in-gestation passion project MOTHERLESS BROOKLYN should have been awe-inspiring even it is only for the sake of its sententiously orchestrated retrospective flair, transcribed the story (in Jonathan Lethem’s source novel, published in 1999, the temporal frame is contemporaneous) to NYC in 1957, the film takes a nostalgic leaf from cinema’s archetypes of gumshoe mysteries in a by
精益的剧情片 巨人之力缺乏根基外强中干——《布鲁克林秘案》
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